Medici Fountain
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The Medici Fountain (fr: La fontaine Médicis) is a monumental fountain in the Jardin du Luxembourg in the 6th arrondissement in Paris. It was built in about 1630 by Marie de' Medici, the widow of King Henry IV of France and regent of King Louis XIII of France. It was moved to its present location and extensively rebuilt in 1864-66.
The Italian Influence in Paris in the 17th century
The period between the regency of Catherine de' Medici in France (1559–1589) and that of Marie de' Medici (1610–1642) saw a great flourishing of the Italian mannerist style in France, A community of artists from Florence, including the sculptor Francesco Bordoni, who helped design the statue of King Henry IV of France built on the Pont Neuf, and fountain technician Thomas Francini, who had worked on fountains in the new gardens of the Medici villas in Florence and Rome, found eager royal patrons in France. Soon features of the Italian Renaissance garden, such as elaborate fountains and the grotto, a simulated cave decorated with sculpture, appeared in the first Gardens of the French Renaissance at Fontainebleau and other royal residences.
Construction of the Fountain
Marie de' Medici, as widow of Henry IV and mother and regent of King Louis XIII of France, began construction of her own palace, which she called the Palais des Medicis, between 1623 and 1630, on the left bank of Paris. The new palace was modeled after the Palazzo Pitti in her native Florence, and the gardens around the palace were modeled after those of the Boboli Gardens in Florence. The Palace was the work of architect Salomon de Brosse, but the fountain and grotto was most probably the work of Tommaso Francini, the Intendant General of Waters and Fountains of the King. Francini, who emigrated to France at the invitation of Henry IV in 1598 and was naturalized in 1600, had built grottos and fountains in the Italian style for the marquis de Gondi and for the royal chateau of Henry IV at Saint-Germain-en-Laye.
The first difficulty of construction was the lack of water in the Left Bank of Paris. Unlike the Right Bank, where the water table was near the surface, and there were many wells and two aqueducts which served the city, the water table on the Left Bank was deep underground and all water had to be carried from the Seine. As a result, the city had expanded far from the Right Bank of the Seine, but had hardly grown at all on the Left Bank. This problem was finally solved by the construction of the aqueduct of Arcueil, between 1613-1623.
The Italian Influence in Paris in the 17th century
The period between the regency of Catherine de' Medici in France (1559–1589) and that of Marie de' Medici (1610–1642) saw a great flourishing of the Italian mannerist style in France, A community of artists from Florence, including the sculptor Francesco Bordoni, who helped design the statue of King Henry IV of France built on the Pont Neuf, and fountain technician Thomas Francini, who had worked on fountains in the new gardens of the Medici villas in Florence and Rome, found eager royal patrons in France. Soon features of the Italian Renaissance garden, such as elaborate fountains and the grotto, a simulated cave decorated with sculpture, appeared in the first Gardens of the French Renaissance at Fontainebleau and other royal residences.
Construction of the Fountain
Marie de' Medici, as widow of Henry IV and mother and regent of King Louis XIII of France, began construction of her own palace, which she called the Palais des Medicis, between 1623 and 1630, on the left bank of Paris. The new palace was modeled after the Palazzo Pitti in her native Florence, and the gardens around the palace were modeled after those of the Boboli Gardens in Florence. The Palace was the work of architect Salomon de Brosse, but the fountain and grotto was most probably the work of Tommaso Francini, the Intendant General of Waters and Fountains of the King. Francini, who emigrated to France at the invitation of Henry IV in 1598 and was naturalized in 1600, had built grottos and fountains in the Italian style for the marquis de Gondi and for the royal chateau of Henry IV at Saint-Germain-en-Laye.
The first difficulty of construction was the lack of water in the Left Bank of Paris. Unlike the Right Bank, where the water table was near the surface, and there were many wells and two aqueducts which served the city, the water table on the Left Bank was deep underground and all water had to be carried from the Seine. As a result, the city had expanded far from the Right Bank of the Seine, but had hardly grown at all on the Left Bank. This problem was finally solved by the construction of the aqueduct of Arcueil, between 1613-1623.
florica1971 › Superb
Deliana › Magnificent!
Lucia5 › Nicee
dorageorg › So nice
DAIANAGABAR › Wonderful
ayenthecat › Great article! I'm a fan of the Medici family.
ChubbyCheeks03 › Stunning paradise!